You’ve been playing on both underground stages and big festivals like World Club Dome and Verknipt recently. How does your approach differ between these settings? Do you feel a different kind of energy from the crowd?
I enjoy both small and larger stages, and I'm always impressed by the effort and dedication required to host a successful event. I particularly appreciate pure industrial events because the crowd knows what to expect from me. On bigger stages and at larger events, I embrace the challenge of capturing the audience's attention and showcasing the beauty of industrial techno. I'm grateful that, to this day, the crowd has never let me down; people come to enjoy the music and fully immerse themselves on the dance floor.
With so many recent releases, how do you maintain your creative flow? What inspires your production process when creating new tracks?
One of the hardest aspects is not getting stuck on ideas that sometimes don’t work out. You can’t force creativity; breaks are often necessary. During my production breaks, I enjoy working out and spending time with friends, who are my biggest inspiration. Witnessing their projects and achievements always reignites my passion for pursuing my dreams.
Your sound in industrial hard techno is distinctive. Can you tell us more about your sound choices and how you decide on certain elements, from heavy kicks to dark atmospheres?
I'm currently focused on developing my own style and approach to industrial techno. Many people say that industrial music is too monotonous, but I love the challenge of creating groove and harmony in a cold soundscape. I also enjoy combining unconventional sounds and am often pleasantly surprised by how well they fit together. Through my music, I strive to tell a story or create a unique atmosphere.
Melodies are often subtle in hard techno. How do you incorporate them into your tracks? Do you see melody as essential in creating tension, or is it more about rhythm and texture for you?
Why not have both? A good rhythm and texture can seamlessly lead into a great melody. For me, a well-rounded set strikes a balance between powerful tracks and more simplistic, playful ones. Some tracks provide the crowd with a moment to recover while allowing them to appreciate the high-energy pieces.
Mixing such aggressive and layered productions can be tricky. What’s your approach to mixing your tracks? Do you have any go-to techniques or tools that you always rely on?
I sometimes find myself overwhelmed with too many elements, but the challenge of making space for each one is incredibly enjoyable. My advice is to create distinct-sounding elements, and if you use samples, flip them to create something unique. Don’t be afraid if something sounds strange on its own; listen to how the elements come together, and you may discover something truly magical. My go-to techniques include extensive sidechaining and velocity management to create space and enhance groove.
With your busy gig schedule, how do you balance time between performing and producing? Do you prefer one over the other?
This is one of the toughest challenges, as I work two jobs to support my daily life while trying to dedicate as much time as possible to music. Currently, I’m focusing my energy primarily on production, as it brings me immense joy and allows me to express myself. One day, I hope to tell a story through my music. I won’t prioritize one over the other.
Playing on bigger stages has likely expanded your audience. How has that impacted your career and the way you think about your music?
I am incredibly grateful for the opportunities I’ve had to perform at such fantastic events in various clubs and festivals. With each gig, I gain more confidence; at the beginning of my career, playing in front of people—even just a handful—was intimidating. To be honest, I still feel a bit anxious when debuting my new tracks on a club system because I am my own harshest critic.
You’ve been in the underground scene for a while. What are some of the key differences you’ve noticed in underground versus mainstream events?
The biggest difference lies in track selection. I've realized that on larger stages, many attendees may not be familiar with or actively listening to industrial techno. Therefore, I don’t push the BPM as high as I would at smaller events. I also mix in softer, groovier tracks to ensure everyone has a great experience and enjoys dancing. In more underground settings with a full industrial lineup, I tend to choose simpler tracks, layering them and experimenting with lesser-known pieces to provide industrial fans with an immersive experience.
Do you find that your production style has evolved since you started playing on larger stages, or do you stay true to the roots of the underground sound?
My production style will not change significantly as I am still figuring out the direction I want to take.
What’s next for you? Can we expect more releases, collaborations, or exciting festival appearances soon?
Yes, I have several finished tracks and collaborations in the works with extremely talented producers. I can't wait to share them with you all!
Related Posts
